piatok 6. júla 2007

About the Lord of the Rings

The Lord of the Rings is an epic high fantasy novel written by the English academic J. R. R. Tolkien. The story began as a sequel to Tolkien's earlier fantasy book, The Hobbit, but developed into a much larger story. It was written in stages between 1937 and 1949, with much of it being created during World War II. It was originally published in three volumes in 1954 and 1955 — somewhat to Tolkien's annoyance, since he had intended it to be a single volume. It has since been reprinted numerous times and translated into at least 38 languages, becoming one of the most popular works in 20th-century literature.

The Lord of the Rings is set in the fictional realm of Middle-earth. The complex story concerns humanoid peoples known as Hobbits, Elves, Men, Dwarves, Wizards, and Orcs. It centres on the Ring of Power made by the Dark Lord Sauron. Starting from quiet beginnings in the Shire, the story ranges across Middle-earth and follows the courses of the War of the Ring. The main story is followed by six appendices that provide a wealth of historical and linguistic background material, as well as an index of characters, place names, and terms of note.

Along with Tolkien's other writings, The Lord of the Rings has been subjected to extensive analysis of its literary themes and origins. Although a major work in itself, the story is merely the last movement of a mythology that Tolkien had worked on since 1917. Influences on this earlier work, and on the story of The Lord of the Rings, include philology, mythology, industrialization, and religion, as well as earlier fantasy works and Tolkien's experiences in World War I. The Lord of the Rings in its turn is considered to have had a great effect on modern fantasy, and the impact of Tolkien's works is such that the use of the words "Tolkienian" and "Tolkienesque" have been recorded in the Oxford English Dictionary.

The immense and enduring popularity of The Lord of the Rings has led to numerous references in popular culture, the founding of many societies by fans of Tolkien's works, and the publishing of many books about Tolkien and his works. The Lord of the Rings has inspired (and continues to inspire) short stories, video games, artwork, television episodes, and music. Adaptations of The Lord of the Rings have been made for radio, theatre, and film. The 2001 – 2003 release of the widely acclaimed Lord of the Rings film trilogy prompted a new surge of interest in The Lord of the Rings and Tolkien's other works.

Back story

The back story is revealed as the book progresses, and is also elaborated upon in the Appendices and in The Silmarillion, the latter published after Tolkien's death. It begins thousands of years before the action in the book, with the rise of the eponymous Lord of the Rings, the Dark Lord Sauron, a malevolent incarnated immortal spiritual being possessed of great supernatural powers, later the ruler of the dreaded realm of Mordor. At the end of the First Age of Middle-earth, Sauron survived the catastrophic defeat and exile of his master, the ultimate evil figure, Morgoth, and during the Second Age Sauron schemed to gain dominion over Middle-earth. In the guise of "Annatar" or Lord of Gifts, he aided the Elven-smiths of Eregion in the forging of magical rings which conferred various powers and effects on their wearers. The most important of these were the nineteen Rings of Power or Great Rings.

He then secretly forged a Great Ring of his own, the One Ring, by which he planned to enslave the wearers of the other Rings of Power. This plan partly failed because the Elves became aware of him and removed their Rings. Sauron then launched a war during which he captured sixteen of the Rings of Power and distributed these to lords and kings of Dwarves and Men; these Rings were known as the Seven and the Nine respectively. The Dwarf-lords proved too tough to enslave, although their natural desire for wealth, especially gold, increased; this brought more conflict between them and other races. The Men who possessed the Nine were slowly corrupted over time and eventually became the undead Nazgûl or Ringwraiths, Sauron's most feared servants. Sauron failed to capture the remaining Three, and so they remained in the possession of the Elves (Celebrimbor, leader of the Elven-smiths, had forged them independently of Sauron). The war ended as the Men of the great island-nation of Númenor helped the besieged Elves, and Sauron's forces retreated.

Over 1,500 years later, the Númenóreans sent a great force to overthrow Sauron, led by their powerful monarch Ar-Pharazôn the Golden. Deserted by his minions, Sauron surrendered and was taken to Númenor as a prisoner. However, with cunning and strength of will he began to counsel the King, and poisoned the minds of the Númenóreans against the Valar — angelic beings who created the world. He deceived their King into invading the Undying Lands, the home of the Valar, to gain the immortality of the Elves. But upon reaching their destination, the King and his army were buried by a landslide. The Valar called upon "the One" (God), who opened a great chasm in the sea, destroying Númenor, and removing the Undying Lands from the mortal world. Sauron's fair physical body was destroyed, but his spirit returned to Mordor and assumed a new, terrible form. Some Númenóreans (called the Faithful, for they did not join the expedition) also managed to escape to Middle-earth. They were led by Elendil and his sons Isildur and Anárion.

Over 100 years later, Sauron launched an attack against the Númenórean exiles. Elendil formed the Last Alliance of Elves and Men with the Elven-king Gil-galad. They marched against Mordor, defeating Sauron's armies on the plain of Dagorlad, and besieging his stronghold Barad-dûr, at which time Anárion was slain. After seven years of siege, Sauron himself was forced to come forth and engage in single combat with the leaders. Gil-galad and Elendil were killed as they fought with Sauron, and Elendil's sword, Narsil, broke beneath him. Sauron's body was also overcome and slain,[10] and Isildur cut the One Ring from Sauron's hand with the hilt-shard of Narsil; when this happened, Sauron's spirit fled and did not reappear for many centuries. Isildur was advised to destroy the One Ring by casting it into the volcanic Mount Doom where it was forged but, attracted to its beauty, he refused and kept it as weregild (compensation) for the deaths of his father and brother.

So began the Third Age of Middle-earth. Two years later, Isildur and his soldiers were ambushed by a band of Orcs at what was eventually called the Disaster of the Gladden Fields. The men were almost all killed, but Isildur escaped by putting on the Ring — which made mortal wearers invisible. But the Ring betrayed its wearer, slipping from his finger while he was swimming in the great River Anduin; he was seen and shot by orcs, and the Ring was lost for two millennia.

It was then found by chance by a river hobbit named Déagol. His relative and friend[10] Sméagol strangled him for the Ring and was banished from his home. Sméagol fled to the Misty Mountains where he slowly withered and became a loathsome, slimy creature called Gollum.

In The Hobbit, set 60 years before the events in The Lord of the Rings, Tolkien related the story of the seemingly accidental finding of the Ring by another hobbit, Bilbo Baggins, who took it to his home, Bag End. The tale related in The Hobbit was written before The Lord of the Rings, and it was only later that the author developed Bilbo's magic ring into the "One Ring". Neither Bilbo nor the wizard Gandalf were aware at this point that Bilbo's magic ring was the One Ring, forged by the Dark Lord Sauron.

Books - writing

The Lord of the Rings was started as a sequel to The Hobbit, a fantasy story published in 1937 that Tolkien had originally written for and read to his children. The popularity of The Hobbit led to demands from his publishers for more stories about hobbits and goblins, and so that same year, at the age of 45, Tolkien began writing the story that would become The Lord of the Rings. The story would not be finished until 12 years later, in 1949, and it would not be fully published until 1955, by which time Tolkien was 63 years old.

Tolkien did not originally intend to write a sequel to The Hobbit, and instead wrote several other children's tales, such as Roverandom. As his main work, Tolkien began to outline the history of Arda, telling tales of the Silmarils, and many other stories of how the races and situations that we read about in the Lord of the Rings came to be. Tolkien died before he could complete and put together this work, today known as The Silmarillion, but his son Christopher Tolkien edited his father's work, filled in gaps, and published it in 1977. Some Tolkien biographers regard The Silmarillion as the true "work of his heart", as it provides the historical and linguistic context for the more popular work and for his constructed languages, and occupied the greater part of Tolkien's time. As a result The Lord of the Rings ended up as the last movement of Tolkien's legendarium and in his own opinion "much larger, and I hope also in proportion the best, of the entire cycle."

Persuaded by his publishers, he started 'a new Hobbit' in December 1937. After several false starts, the story of the One Ring soon emerged, and the book mutated from being a sequel to The Hobbit, to being, in theme, more a sequel to the unpublished Silmarillion. The idea of the first chapter ("A Long-Expected Party") arrived fully-formed, although the reasons behind Bilbo's disappearance, the significance of the Ring, and the title The Lord of the Rings did not arrive until the spring of 1938. Originally, he planned to write another story in which Bilbo had used up all his treasure and was looking for another adventure to gain more; however, he remembered the ring and its powers and decided to write about it instead. He began with Bilbo as the main character but decided that the story was too serious to use the fun-loving hobbit and so Tolkien looked to use a member of Bilbo's family. He thought about using Bilbo's son, but this generated some difficult questions, such as the whereabouts of his wife and whether he would let his son go into danger. Thus he looked for an alternate character to carry the ring. In Greek legend, it was a hero's nephew that gained the item of power, and so the hobbit Frodo came into existence. (Though technically Tolkien made Frodo Bilbo's second cousin once removed, because of age differences, the two were to consider each other nephew and uncle).

Writing was slow due to Tolkien's perfectionism, and was frequently interrupted by his obligations as an examiner, and other academic duties. The first sentence of The Hobbit was in fact written on a blank page which a student had left on an exam paper which Tolkien was marking — "In a hole in the ground there lived a hobbit." He seems to have abandoned The Lord of the Rings during most of 1943 and only re-started it in April 1944. This effort was written as a serial for Christopher Tolkien and C.S. Lewis — the former would be sent copies of chapters as they were written while he was serving in South Africa in the Royal Air Force. He made another push in 1946, and showed a copy of the manuscript to his publishers in 1947. The story was effectively finished the next year, but Tolkien did not finish revising earlier parts of the work until 1949.

A dispute with his publishers, Allen & Unwin, led to the book being offered to Collins in 1950. He intended The Silmarillion (itself largely unrevised at this point) to be published along with The Lord of the Rings, but A&U were unwilling to do this. After his contact at Collins, Milton Waldman, expressed the belief that The Lord of the Rings itself "urgently needed cutting", he eventually demanded that they publish the book in 1952. They did not do so, and so Tolkien wrote to Allen and Unwin, saying "I would gladly consider the publication of any part of the stuff."

Following the massive success of The Lord of the Rings, Tolkien considered a sequel entitled The New Shadow, in which the Gondorians turn to dark cults and consider an uprising against Aragorn's son, Eldarion. Tolkien never went very far with this sequel, as it had more to do with human nature than with epic struggles, and the few pages which were written can be found in The Peoples of Middle-earth. Instead, Tolkien returned to writing and revising his Silmarillion story, though he died before he could finish this, and The Silmarillion was published posthumously by Tolkien's son and literary executor, Christopher Tolkien, in 1977.

Influences on the fantasy genre


The enormous popularity of Tolkien's epic saga greatly expanded the demand for fantasy fiction. Largely thanks to The Lord of the Rings, the genre flowered throughout the 1960s. Many other books in a broadly similar vein were published, including the Earthsea books of Ursula K. Le Guin, The Riftwar Saga by Raymond Feist, The Belgariad by David Eddings, The Sword of Shannara by Terry Brooks, the Thomas Covenant novels of Stephen R. Donaldson; the "Wheel of Time" books of Robert Jordan, and in the case of the Gormenghast books by Mervyn Peake and The Worm Ouroboros by E. R. Eddison, rediscovered.

It also strongly influenced the role playing game industry which achieved popularity in the 1970s with Dungeons & Dragons, a game which features many races found in The Lord of the Rings, most notably halflings (another term for hobbits), elves, dwarves, half-elves, orcs, and dragons. However, Gary Gygax, lead designer of the game, maintains that he was influenced very little by The Lord of the Rings, stating that he included these elements as a marketing move to draw on the popularity the work enjoyed at the time he was developing the game. The Lord of the Rings is also suspected to have influenced the creation of Magic: The Gathering as well as various video games, including Final Fantasy IV, Ultima, Betrayal at Krondor, Baldur's Gate, EverQuest, The Elder Scrolls, RuneScape, Neverwinter Nights, and the Warcraft series, as well as, quite naturally, video games set in Middle-earth itself.

As in all artistic fields, a great many lesser derivatives of the more prominent works appeared. The term "Tolkienesque" is used in the genre to refer to the oft-used and abused storyline of The Lord of the Rings: a group of adventurers embarking on a quest to save a magical fantasy world from the armies of an evil dark lord, and is a testament to how much the popularity of these books has increased, since many critics initially decried it as being "Wagner for children" (a reference to Der Ring des Nibelungen) — an especially interesting commentary in light of a possible interpretation of the books as a Christian response to Wagner. The book also helped popularize several spellings concerning elves and dwarves (i.e. using -ves instead of -fs for plural forms).

The work has also had an influence upon such science fiction authors as Arthur C. Clarke. In fact, Clarke (who found only Frank Herbert's Dune comparable) makes a reference to Mount Doom in his work 2010: Odyssey Two. Tolkien also influenced George Lucas' Star Wars films

Impact on popular culture

The Lord of the Rings has had a profound and wide-ranging impact on popular culture, from its publication in the 1950s, but especially throughout the 1960s and 1970s, where young people embraced it as a countercultural saga. Its influence has been vastly extended in the present day, thanks to the Peter Jackson live-action films. Well known examples include "Frodo Lives!" and "Gandalf for President", two phrases popular among American Tolkien fans during the 1960s and 1970s, The Lord of the Rings-themed editions of popular board games (e.g., Risk: Lord of the Rings Trilogy Edition, chess and Monopoly), and parodies such as Bored of the Rings (produced for the Harvard Lampoon), the VeggieTales version - Lord of the Beans, the South Park episode The Return of the Lord of the Rings to the Two Towers, and the Mad Magazine musical send-up titled "The Ring And I" in which the characters sing their parts to the tunes of popular music hits.
In particular, the book, along with Tolkien's other writings, has influenced many musicians. The British rock band Led Zeppelin made four compositions that contain explicit references to The Lord of the Rings - namely "Ramble On", "The Battle of Evermore", "Misty Mountain Hop", and "Over the Hills and Far Away" (with others, such as "Stairway to Heaven and Kashmir", alleged by some to contain such). Another British rock band, Camel, made a triptych on their second LP Mirage – tracks entitled "Nimrodel", "The Procession" and "The White Rider". The band Rush made a song called "Rivendell", about the joys of staying at the Elven haven (found on their album Fly by Night, 1975). The band Styx released the song "Lords of the Ring" on their 1978 album Pieces of Eight. The German power metal band Blind Guardian have made several compositions such as , "Majesty", "Wizard's crown", "Run for the night", "By the gates of Moria", "Gandalf's rebirth" and "Lord of the Rings", plus a song about The Hobbit called "The Bard's song - the Hobbit", and have also produced a Silmarillion-inspired album, Nightfall in Middle-Earth; their song The Bard's Song (In the Forest) contains the line "This songs of Hobbits, Dwarves, and Men", a clear reference to the series. 1960s guitarist Steve Took also took his pseudonym in honor of the hobbit character Peregrin Took.

Nearly the entire discography of Austrian black metal band Summoning is inspired by Tolkien's works. Swedish keyboardist Bo Hansson released an album entitled "Music Inspired by Lord of the Rings" in 1970 (1972 in the UK and US). The Finnish symphonic metal band Nightwish also reference the book in many of their songs, most notably in "Elvenpath". The Norwegian black metal band Gorgoroth took their name from the Plateau of Gorgoroth in Mordor. The Swedish death metal band Amon Amarth borrowed their name for the Sindarin equivalent for Mount Doom (though they draw their influence from Norse mythology). The defunct California-based band Cirith Ungol took their name from the mountain cavern found in The Two Towers. Black metal musician Varg Vikernes of Mayhem and Burzum adopted the name Count Grishnackh from an Orc character in The Two Towers. Burzum also means "darkness" in the Black Speech, the language developed by Sauron. Enya wrote an instrumental piece called "Lothlórien" in 1991, and composed two songs for The Lord of the Rings: The Fellowship of the Ring - "May It Be" (sung in English and Quenya) and "Aníron" (sung in Sindarin). Also, the Christian rock/Christian metal band Underoath released a song called "It's Dangerous Business Walking Out Your Front Door", taking a quote from the book.